Contact me at lucyvictoriabrown@gmail.com because I'm always up for a natter about anything. Well, mostly.

Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Tuesday, 8 March 2016

Short Story Publication - Pongo

As I reported last year, I was short-listed in the 2015 Exeter Story Prize. I'm now pleased to tell you that my story, 'Pongo', has been published in their anthology of winning and short-listed entries.

'Pongo' is a bit of a dark story. It takes place on Boxing Day at a fairground but it isn't one of those typically fluffy Christmas stories. I'm quite proud of it and I hope some of you will get the opportunity to read it. When I have success with a short story featuring lesbian characters I'm honestly delighted. That's the bread and butter of my work and I'm grateful it's reaching a general audience as well.

You can buy the anthology from Amazon here.

In addition, please check out Creative Writing Matters who host these annual competitions. They do a lot of good work with writers and are a lovely bunch.

Wednesday, 10 February 2016

Short Story Publication - Dear Violet

At the end of last year I was delighted to be awarded third prize in the Fabula Press Aestas 2015 competition. My story has now been published as part of their winners' anthology and is available to buy online for just £5.99.

'Dear Violet' is a story that came to me when I heard about a postbox that hadn't been emptied for years and started wondering about what kind of letters could've languished in there. I received some fantastic feedback from the judges and it's really been a pleasure working with the editor getting this story ready for publication so thank you to Fabula Press for that. I haven't had chance to read the other stories yet but there are some interesting titles in there and I'm sure it's going to be excellent.

You can buy the anthology from Amazon here.


Sunday, 7 February 2016

Some Tentative Goals

So, here we are, six weeks into 2016 and I'm finally getting some goals sorted in my head. Things are still bumpy but I'm feeling ever-so-slightly better. At least I've got my motivation back, even if I've accepted that I need to stop pushing myself quite so hard and give in to the frequent necessity to burrow away and hide. Fortunately, I've mastered the art of relaxation. Way back before Christmas I got a new bed and reorganised my room. It's now much more comfortable and devoid of 'proper' work. I sit up there listening to music and watching my water-effect speakers, colouring, reading and writing fan fic. It's a little retreat and I'm building something of a postcard collection on the walls - John Atkinson Grimshaw and Rita Hayworth - brilliant bedfellows.


These are tentative goals centred on a couple of areas of my life that I have control over. As things stand, I have a trickle of money coming in from freelance writing and tutoring work. It's not a lot but enough to cover my meagre expenses and ensure I can still visit Create for my afternoons of writing. I need to work on my long-term plan but, really, thinking along those lines was proving unhelpful so, for the time being, short-term goals are best.

  • 'Max' Fourth Draft - I've had fun and games with this one in the last few months (see here and here) but I think I can see the light at the end of the tunnel. It knows what it's doing and my aim is to finish the fourth draft by the end of February. It's currently at 43,046 words and I've got clear plans for the rest of the draft. It's half-editing and half-rewriting huge chunks but I'm confident I can make a huge dent in that in the next three weeks. 
  • 'Danni' Seventh Draft - I stopped mid-draft last year, having done most of the difficult rewriting but I'd gotten bogged down with the close editing. This one's at 54,342 words and it's reasonable to say I could complete it by the end of March. 
  • Other Novel Drafts - There are nine of these in various stages of rewriting. I listed them comprehensively last July when I was in a better frame of mind and I think the order of priority probably still sticks. If you add in my aborted NaNo project, 'Jess', then that's actually ten and that's a bit scarier. Optimistically, I'd like to work on four of them this year - 'Liz' has a complete plan and needs the second draft completing, 'Izzy' and 'Vic' need the second drafts planning and writing and 'Kathy' is a fragment of a first draft that needs rewriting in first person and completing. We'll see. If I can keep myself in the writing zone then anything's possible.
  • Short Stories - I didn't submit any short stories in the last three months of 2015. I've already taken steps to remedy this and submitted three in January whilst devoting more time to my short story writing, rewriting and editing processes. I've got a little notebook that lists which stories are at what stage - 'Ready', 'Final Touches', 'Line Edits', 'Rewriting in Progress', 'To Rewrite' and 'Unsure'. Currently, I've got four that are ready to submit and three more that are nearly there. It's time to go through my list of magazines and competitions and find some appropriate venues and, if there aren't any right now, they'll pop up eventually. I'm not putting a figure on the number of stories I want to submit or write but I do want the list to be moving. 
  • Academic Work - Now, this is where I'm completely at sea. I'm deliberately not attending conferences this year as I just can't do it and my academic work's stalled somewhat. I've got one half-written paper, plans for several others and I wanted to rewrite and edit two chapters of my thesis to submit to journals. So what happened? Well, my anxiety kicked in. The fact that it's a year ago this week that I submitted my thesis isn't helping, nor is the fact that my certificate arrived in the post this week. I couldn't make it to graduation because of, yep, anxiety so it doesn't really feel as though I've achieved anything. Actually, it feels like a colossal waste of a chunk of my life right now. I have no idea what happens next with my academic work but the frustrating thing is that I still have ideas for papers and the desire to research. I'm a contradiction.

Anyway, with a bit of luck I'll manage to pull at least some of this off. I nabbed myself a cheap gym membership to get me out of the house and filled a playlist full of cheesy pop like Steps, SClub7 and Boyzone to get me through it. About a third of the songs on there are by The Nolans (and, as I'm typing this my iPod's thrown their 'Song Sung Blue' at me from over 8300+ choices) so at least I can have some fun whilst exercising. There's something especially amusing about listening to 'Don't Make Waves' whilst on the rowing machine - or is that just me? 

Wednesday, 2 December 2015

Book Review: The Incredulity of Father Brown by G.K. Chesterton

Despite owning all the Father Brown stories, I'm taking my time reading them because I enjoy them so much. You can find my reviews of Innocence and Wisdom here and here but Incredulity is the third collection and feels as though it goes in a slightly different direction.

Location plays a big part in these stories with Father Brown encountering different cultures and, significantly, several of them are set in America. I like these explorations and it's amusing how Father Brown is never a fish out of water - he blends into the background of any community.

I enjoyed all the stories in this collection. However, some are more enjoyable than others, of course. 'The Resurrection of Father Brown' is the first story and begins with the cleric's death. It's a charming little story, made all the more enjoyable by his irritation at becoming a celebrity. 'The Arrow of Heaven' deals with the murder of a millionaire, a circumstance that 'is, for some reason, treated as a sort of calamity'. Chesterton, naturally, then proceeds to include three dead millionaires in his story. In 'The Oracle of the Dog' I was tickled by the resolution and the peculiar murder of Warren Wynd in 'The Miracle of Moon Crescent' had me completely perplexed for a time. While I enjoyed the sensory details and depictions in 'The Curse of the Golden Cross', that might've been the weakest story in terms of progression, for me anyway. 'The Dagger with Wings' is one of the more atmospheric pieces, although I was slightly disappointed with the ending, probably on grounds of personal preference.

The final two stories in the collection are my favourites. 'The Doom of the Darnaways' takes the old trope of a decaying British manor with a foreign heir and creates a memorable story revolving around a photograph. In that story, the last lines are typical of Father Brown and, perhaps, that's why I enjoyed it so much. Lastly, 'The Ghost of Gideon Wise' really kept me on my toes with an atmospheric look at the murders of another three millionaires. That Chesterton still has the ability to startle me after three volumes of Father Brown stories is delightful.

These are gentle mysteries that visit the hard edges of humanity. If that sounds like a contradiction then that's probably because you're unfamiliar with the central character. There are lengthy dialogue digressions which won't appeal to all but I like being made to think as well as follow a mystery to its conclusion. I'll ration myself again before I read the fourth collection, The Secret of Father Brown.

Thursday, 17 September 2015

After All, It's a Step in the Right Direction

I've been excessively silent on this blog recently and I apologise for that. I'm still lagging behind with my book and classic film reviews but hopefully I can get those up to date soon. The sad truth is that I haven't had much time to read and watch anything or, really, to do much apart from react to things going on around me. It's not the most rewarding of existences and it certainly isn't healthy for me personally.

So where are we at? Well, last Friday I delivered what I hope is the last piece of my PhD puzzle. My thesis corrections have been uploaded and outstanding paperwork delivered so, theoretically, that should be that.

In other news, I was delighted to be short-listed in the 2015 Exeter Story Prize with my short story 'Pongo'. That's one I'm particularly proud of and I'm glad all that hard work paid off. One of the things that drew me to that competition was the ability to submit longer short stories. Sometimes you need the extra space and I don't think 'Pongo' would've squeezed in to a more constrictive word count.

I'm also standing for election again in the Pontefract North by-election on the 24th September for Yorkshire First. Politics is still something I'm passionate about, though I don't go into it much on this blog. However, in fairness, I haven't had much time to go into it on my politics blog either! The last post I managed over there was badgering the previous councillor to resign and, lo and behold, now I'm standing for her seat. Isn't life a funny thing?

My priorities have, quite naturally, shifted with waving the PhD goodbye. Top on the list is trying to look after myself a little better than I have been doing in recent months. Beyond that, there are always other things in the pipeline. Here are the headlines.

  • Back in July I developed a priority list of novel drafts. I've got cracking on the fourth draft of 'Max', marking up all the necessary edits and starting on the nitty-gritty of actually implementing them. This is going to be a long process and it may derail the other projects I want to work on before the end of the year. However, I'd still like to get to 'Danni' and 'Izzy' before the end of the year. I'm also working on the assumption that I'm going to be participating in NaNoWriMo this year, though by this point I've usually had a big idea and I'm working on refining it. I need inspiration to strike. 
  • On the short story front, I need to get back into the groove. For instance, I currently have four in need of a second draft and another four that I've decided need a complete overhaul before I resubmit them. At the time of typing, I only have three short stories out at submission but there are another two I'm content enough with to send out so I need to get on with that. My aim is to make my co-working day with Wakefield Jelly the main day for short story paper edits again. That's worked very well in the past and it's a dedicated day for escaping to edit short stories (in addition to a dedicated hour of escape each weekday to actually write them). Incidentally, if anyone's around on Wednesday 23rd September, pleased stop by at Create and join us Jelly folk. The group has been going for two years now and, amazingly enough, I've been going since the start!
  • I'm also hoping to take on some tutoring work for A-Level students and above. I had some success in this quarter earlier in the year so, if you know anyone who needs a little help with their English studies please ask them to contact me. Hopefully there'll be more on this in the future. 
  • Freelance writing and project management is also another string to my bow and is taking up a chunk of my time at the moment. 
There, that's perfectly manageable, isn't it? Who said anything about slowing down? Besides, it takes my mind off the fact I'm essentially flying without navigation at the moment. But, as Angela sings, it's a step in the right direction, after all...even if I don't know quite what direction I'm going in. 


Monday, 17 August 2015

The Week Ahead: Corrections and Short Stories

If I went into detail about why I'm despairing at the moment it'd take a while and nothing else would get done. Suffice to say, just when I thought things couldn't get worse, they suddenly did. The last year of my life has been a lesson in this so I'm not sure why I'm so surprised. Alas, tolerance levels are eroded beyond recognition. If there's one thing going right in a life perhaps the rest can be accepted as necessary balance but that's not the case. However, I apparently have to carry on so...

I've got a month before my thesis corrections are due and, really, I wanted them finished two weeks ago. I've planned all the edits and I'm halfway through implementing them now. All I need to do after that is write two brief appendices and get them checked over. Then the thesis is done and... Well, it's done. Full stop after that one.

My other task for this week is to work on some of the short story drafts I've neglected. Three need a complete rewrite, though I've been putting it off because the novel drafts seemed more important. I want to rewrite them this week for editing at Wakefield Jelly next week. In theory, let's see how that goes.

Next week I'm cat-sitting for my sister. During that quiet time away I'm going to focus on the fourth draft of 'Max'. I've already had a read through of the third draft and I know what needs to be done. A couple of major fixes and thousands of minor ones. I want to make a dent in that.

Little steps...

Tuesday, 7 April 2015

Short Story Publication - Autumn Plunder

A couple of months ago I shared the news that a short story of mine had been accepted for publication. It has now been published in the latest issue of Popshot Magazine, which collects pieces based on the theme of 'the outsider'. My story, 'Autumn Plunder', tells of a woman who goes to extreme lengths to feel like she's fitting in for just a few weeks of the year.

You can get a preview of the issue and purchase it here.




Monday, 16 February 2015

A Fresh Approach

Now that I'm in that scary limbo between thesis submission and viva I decided that a little shake up of my daily plans was in order. I've just been muddling through for the last year or so, trying to do everything all at once and getting snowed under with it all. It was only when I allowed myself the novelty of a weekend off that I realised there are better ways to split my time for the moment. I won't like it, on account of it feeling like I'm doing too little on certain days, but I'll try to stick to it where I can.

So I've got various irons in the fire as far as work goes. I'm researching several academic papers that I think I can set my mind to drafting now the thesis is gone; I've got a steady stream of short stories that I'm writing, rewriting, editing and submitting; I've got two blogs to keep ticking over; I'm hoping to stand for election in the locals in May for Yorkshire First (I forgot to mention that over here, see my other blog for details); and, of course, I have those pesky novels in various stages of rewriting. If I don't break it up a bit then I'm liable to feel more overwhelmed than I do just looking at that list. We're probably looking at something like this:

  • An admin day - Time spent on catching up with blog posts, typing up short stories ready for editing, sorting out submissions.
  • An academic day - Work on those papers I've got in mind, one at least is ready to be written straight away.
  • A short story day - For the actual writing and editing of short stories, which will entail me going to the library because that's definitely an out of office task. 
  • Two novel days - To work on whatever novel I'm beavering away on at the time. 
  • Evenings - Fan fiction or other relaxing activity that is probably not work.
  • Weekends - I can work, if I want, or I can write fan fiction or I can read. I don't have much of a social life but who needs one when you've got books? 

I know myself well enough to say that Mondays will probably be my admin day unless there's something pressing to be done in the other categories. We'll see how it goes, of course, and I might go back to muddling through very quickly. Anyway, it's worth a shot.

Here's Snowdrop with my thesis, to brighten up a dreary Monday...


Friday, 13 February 2015

Book Review: Four Stories by Alan Bennett

Four Stories compiles 'The Laying on of Hands', 'The Clothes They Stood Up In', 'Father! Father! Burning Bright' and 'The Lady in the Van' in one collection. All display Bennett's trademark humour and skills of observation whilst looking at vastly different situations. 'The Laying on of Hands' takes place at the funeral of a masseur who seemed to have some very famous clients (including the presiding vicar), all of whom are a bit concerned about his cause of death. 'The Clothes They Stood Up In' tells the story of a couple who come home from the opera to find their flat has been stripped of everything from the curtain rings and light fittings up. 'Father! Father! Burning Bright' is about a school teacher who goes to see his dying father while 'The Lady in the Van' is the true story of the woman who ended up living on Alan Bennett's drive (and you have no idea how much I'm looking forward to seeing Maggie Smith take on that role in the near future).

I thought I enjoyed the first piece in this collection, then I read the second and enjoyed it more. I wasn't as keen on the third piece but the final one easily became my favourite and left me laughing in the early hours of the morning. Firstly, 'The Laying on of Hands' is a brilliantly witty analysis of modern culture with some genuinely laugh-out-loud moments. Both the images of celebrity and religion which Bennett depicts in this story are recognisable and there are numerous asides that showcase Bennett's peculiarly British humour.

'The Clothes They Stood Up In' explores the upheaval caused by this wholesale burglary and the way it forces Mr and Mrs Ransome to adjust, which the latter does with more success. I particularly enjoyed her connecting with the places in her vicinity which she had never contemplated visiting before. I also appreciated the resolutions of the tale and found it a very compact and fulfilling story that nevertheless says a great deal.

I think my problem with 'Father! Father! Burning Bright' was that it just didn't seem to have the same flow the others have. Quite often I got disorientated about who was saying what and where, possibly symptomatic of its roots in visual drama. Also, I disliked pretty much every character and didn't care much about them, the honourable exception being Aunty Kitty.

'The Lady in the Van' is easily my favourite piece, told with understated Bennett humour and all the more enjoyable (as cruel as that sounds) for being true. It's full of little incidents that create a grotesque picture of life inside and outside that van with Bennett's postscript adding some fascinating notes about her life and history.

All in all, this was a pretty good collection, and I'll definitely be reading three of the stories again.

Tuesday, 3 February 2015

A Smidgen of Success

January was another one of those months where I felt as though I'd been dangling from the roof of a hyperactive carousel. Spinning around with the world all topsy-turvy gets old and I've definitely been doing it for long enough. I had some bright spots with a friend and my nieces but, really, I was happy to see the month coming to an end. Then the final few days threw up a couple of surprises.

On Friday I found out a short story has been accepted for publication in April. I'll post more of the details closer to the time but the jolt I got from that was excellent and I'm very proud of the story.

While deliriously happy about that, I got something of another shock. Late Saturday night I learned that I'd won first prize in the Literary Journalism Competition organised by Dickens Journals Online. That was one of those delightful moments where I opened up the page, scanned the list of runners-up and commended entries and allowed myself a moment of disappointment before actually lifting my eyes a bit. Then, quite naturally, I ran downstairs to get my poor father to check I wasn't seeing things. He thought the house was burning down. Again, I'm really proud of the story and I'll let you know when it's available on the DJO website to read. Incidentally, if you're unfamiliar with them, they host digital copies of Household Words and All the Year Round and they're a brilliant resource for academics and nineteenth-century book lovers alike. It's one of those sites you can fall into and come out three days later dazed and talking like Mr Dickens himself - well worth a look.

One of my goals for 2015 was to have a little more success with my short stories to build on the start I made last year. I think we can tick that box already.

I'm floating back down to earth now but I wish I could bottle that euphoria. As ever, the first thing I did when I got the news was burst into an appropriate song - 'It's a Hit!' from Merrily We Roll Along seemed like the perfect choice and it's been stuck in my head since Friday. As the ever-wise Charley sings:

Success is like failure, 
It's how you perceive it,
It's what you do with it, 
Not how you achieve it,
And I can't believe it's a hit!

And, if Sondheim doesn't float your boat, try a little Judy and Barbra...





Tuesday, 21 October 2014

Short Story Publication - Aldgate Echoes

It's nice to finally be able to share with you that I was shortlisted in Saga Magazine's ghost story competition and was then lucky enough to be one of the 15 shortlisted entries to be published in their anthology.

Like the publication of my other story this year, "Aldgate Echoes" is a piece I wrote a while ago and reworked for submission to this competition. I still have vivid recollections of the story coming to me while I was walking through a desolate London with a friend. Moments like that are moments writers wish we could bottle!

I'm very proud to be part of this anthology, though keeping the news to only a few select friends until I could be sure was tricky. I found out I'd been shortlisted while I was, ironically enough, back in London for a conference and I was on my birthday trip when I found out I was being published. I like that kind of symmetry - and so does Shamrock!


So the current price on Kindle is £0.51, not shabby for a short story collection. You can buy it here and let me know if you like it!

Monday, 6 October 2014

Book Review: Love Alters ed. Emma Donoghue

Love Alters: Lesbian Stories, previously released as The Mammoth Book of Lesbian Short Stories, includes 29 stories split into the categories of 'Child's Play', 'Present Tense', 'Family Values', 'Past Times' and 'Possibilities'. These rough categories allow for some distinction as you go through the book but, really, the stories are generally wildly different to each other. It draws together authors from across the world with some brilliant stories, both heartbreaking and humorous, which analyse the finer points of life. The overarching banner may be 'lesbian short stories' but there's far more to this collection than that.

There are two stories that stick in my mind. The first, 'Self-Deliverance' by Elise D'Haene, is a checklist compiled by a dying man, Teddy, and his two friends, Alf and Ginnie. Meandering back and forth, D'Haene creates a story that's both rooted in the immediate problem yet tells you all you need to know about the characters. The second story, 'Did'ja Ever Hear of a Goolieguy?' by Anne Cameron follows a woman fleeing from her suffocating life with her partner who travels back home. Part myth, part reality, this one really struck me for reasons I can't define. Perhaps it was only that everything the narrator experiences is a thought-provoking metaphor for something else.

The 'Past Times' section throws up some interesting work. 'The Catherine Trilogy' by Ingrid MacDonald, the longest piece in the book, follows the life of a woman who passes her life as a man in 18th century Europe. I was hooked by the first part, endured the second and enjoyed the third, though I see the need for all of them. Also in this section was 'The Burning Times' by Sara Maitland, a potent tale of jealousy in the time of witchcraft trials, Emma Donoghue's 'The Tale of the Kiss' which tells of another 'witch' in a cave and the captivating 'The Woman Who Loved the Moon', a story that defies simple analysis.

Of course, there were stories in this collection that didn't take my fancy as much but I found something in most of them to appreciate. For example, Madelyn Arnold's 'See You in the Movies', about a woman going on a trip with her new partner and kids, made me laugh out loud while Dorothy Allison's 'River of Names' is a haunting look at the tragedies around one woman which she tries to share with her partner. Finally, one of the early stories 'Pamelump' is similarly thought-provoking, as it examines a girl and her disabled friend, utilising the simplicity of children to analyse very adult notions.

Ultimately, I really enjoyed this collection. I don't think anybody would love all of these eclectic stories but that just means there's something in it for everyone.

Thursday, 14 August 2014

Taking My Characters For Walks

A couple of months ago I blogged about how I was writing longhand again, indulging in short story writing to satisfy my craving to write without being submerged into a novel draft. Well, I'm still enjoying it. I've got several written and typed up, they're now waiting for some conscientious editing which may have to wait until I've fulfilled my quota of conscientious thesis editing and have seen how much conscientiousness is left over. But it occurred to me the other week that I was being a little peculiar - again.

I had wandered into town to have a coffee and do some writing but I hit a stumbling block. I'd envisioned a character as a bit of a harridan and my plan was for her to be humiliated (yes, I know, mean) but I couldn't get from A to B. So, instead of going home after my coffee, I told myself I wouldn't head in that direction until I'd figured it out. Unfortunately, Wakefield isn't exactly big enough to make that sort of dream a reality. So after walking the character around a shopping centre and a few streets, I turned my feet towards the retail park. Then it started to rain. The things we do for our stories.

Eventually, I realised that, yes, I was looking at it wrong. This character had more to her, the reason she was being a cow was intrinsically linked to the main thrust of my story and I hadn't noticed. Would I have reached that conclusion without taking her for a walk? Well, probably. But it wouldn't have happened so rapidly. And I wouldn't have got so soggy.

Tuesday, 1 July 2014

Book Review: The Wisdom of Father Brown by G.K. Chesterton

Coincidentally, I reviewed the first collection of Father Brown stories in June 2013 - obviously I like reading Chesterton's short mysteries in the summer! The thing I enjoyed most about this collection was the eclecticism: Father Brown flits around all over the place, sometimes with his companion Flambeau and sometimes alone. It means that no one story is similar to the one preceding it, something which I greatly appreciated.

The first story is 'The Absence of Mr Glass' which ridicules a doctor's deductions and is quite hilarious. It's brilliant in its simplicity, as is the second story, 'The Paradise of Thieves', which, despite being fairly confident about what was going on, entertained me nonetheless. The fourth story in the collection, 'The Man in the Passage' is both ingenious and a little heartbreaking. It tells of an actress with several suitors in her dressing room and who is mysteriously struck down by a suspect who is described differently by every witness. Father Brown's cross-examination here in this story is downright wonderful.

Story number seven, 'The Purple Wig', is enjoyable for its variation in narrative style as well as the substance of the mystery while 'The Perishing of the Pendragons' is notable for its description of the environment as well as the mystery. Similarly, in the ninth story, 'The God of the Gongs', the desolate descriptions of a seaside town out of season are very evocative.

All of the stories in this collection have something to recommend them but my favourites are probably the last two, 'The Strange Crime of John Boulnois' and 'The Fairy Tale of Father Brown'. The former's characterisation is wonderful and, again, it toys with narrative style at the beginning. It tells of a philosopher accused of murdering his love rival but this philosopher is far too disinterested to lift a finger - he just wants to be left alone with his book. 'The Fairy Tale of Father Brown' is an exploration of a past event by Father Brown and Flambeau. I always love these two together and the tale of a prince who was shot when guns were banned from his kingdom is a wonderful little teaser to conclude on.

I suppose that by this point I'm more adept at spotting where Chesterton is going with his mysteries. However, much to my delight, he still manages to surprise me on occasion and, regardless, his stories are both evocative and clever. However, I do think I should put off reading the next collection for a few months - delay the pleasure!

Thursday, 19 June 2014

Back to Pen and Paper

Back in the good old days when I was writing fan fiction regularly, I was never without a spiral bound notebook in my bag. I had a bag just the right size to accommodate it and when that started letting in water it took some doing to find another one of the perfect size. It couldn't curl the edges or squash the bottom, you understand. I cherished my notebooks.

As time went on, things changed. I can pinpoint why. I stopped working on one particular

story in longhand in 2005/2006. I was at Lincoln and dealing with the illness of two grandparents along with studies, making stupid decisions about my personal life and generally mucking things up. I lost traction on the story and, though I continued writing a couple of thousand words on it every so often, I didn't write them longhand then copy them up. It wasn't a conscious decision to stop using the notebook, it just sort of happened.

Fast forward eight or nine years (and insert a *whoa* at that length of time).

These days, I have plenty of notebooks but they're all fancy ones. They all hold plans, characterisation notes or editing gripes. Most of them belong to one particular project, others have a few bits and pieces in them that I'm trying to make sense of. There's only one 'basic' notebook and that's the one I bought a few months ago, specifically to work on short stories.

Generally, I've neglected the short form because I figured I wasn't any good at it. But my publication in Ariadne's Thread (see here) gave me a little more confidence. Quite obviously, I'm not going to get any short stories published if I don't write and refine them. But sitting at the computer won't get it done. There's already so much to be working on up here. If I ever get a break from PhD work, all I really want to do is work on that mountain of novel drafts I've got stacked up or the script ideas that are exciting me. Short stories come at the bottom of the pile.

Which is why I made a conscious decision to start writing longhand again. This way, I've always got a notebook with a story in my bag. There's always something on-going so there's something to think about and work through while I'm doing other stuff. It's proved particularly useful on train journeys where I stare out of the window and pretend I'm working which, I think, is an improvement on looking out of the window and pretending I'm reading. The writing one is easier to pull off.


So we'll see where this leads. Maybe nowhere. But at least I'm writing daily again, even if that goes against the creed of 'year of the thesis'.

Monday, 9 June 2014

Short Story Publication - To Catch a Fly

Some of you may be interested in the latest issue of Ariadne's Thread (Issue 11, Spring 2014) which has a short story in from yours truly. It also has plenty of other stuff in there too, including some great poetry. I'd recommend buying it for the two poems by Armando Halpern alone. 'Carlo Crivelli, Virgin and Child' and 'Back From the Labyrinth' are engrossing, evocative pieces and I've reread them several times already. 


My own story, 'To Catch a Fly', is one that I wrote years ago following an experience with my late maternal grandmother. I rewrote it with a burst of inspiration last year, changing the tense and the overall situation without diminishing the truth at the heart of it. In some ways, it's a very personal story and, in that sense, it's wonderful that it's my first writing success in years. 


If you want to buy a copy of this issue, it's available directly from their website and you can purchase via PayPal. I should go into a spiel here about supporting small literary magazines but I'm sure we all know the challenges they face and support where we can so I'll leave it at that. 

Tuesday, 25 June 2013

Book Review: The Innocence of Father Brown by G.K. Chesterton

This first collection of Father Brown stories initially caught my eye after I watched the BBC series involving the character. Although I enjoyed it, I was pleasantly surprised to find that these stories followed an altogether different path. Each of them cover one rather compact mystery and are both interesting and evocative. We might not learn too much about Father Brown during them but his sense and talent for unravelling a mystery shine through, making him one of the best detectives I've come across, and certainly my favourite in short fiction.

This collection contains twelve short stories. The first, 'The Blue Cross', is probably the best known, although this focuses more on the detective Valentin than Father Brown himself. It actually works as an ideal introduction to the character and sets up what's to come perfectly. Valentin himself only appears in one more story but the criminal of 'The Blue Cross', Flambeau, reappears time and again, first as Brown's nemesis and then as his friend. This friendship is perhaps the one constant through the latter stories and works extremely well.

Out of these twelve stories a few lingered with me long after I had turned the page. 'The Secret Garden' is the second story featuring Valentin and comes to a dark and surprising - to me, anyway - conclusion. I also appreciated 'The Invisible Man', a story of warring lovers, because of the simplicity of the conclusion. In fact, most of these stories ended with me marvelling at the ingenuity of the author, wrapping up the obvious in the bizarre. It was a pleasure to merely read and not second-guess the outcome.

Atmospherically, my favourite story has to be 'The Sins of Prince Saradine' which begins with Brown and Flambeau on a small boat in the middle of nowhere. The vivid descriptions that haunt the beginning of this story outweigh what is still a very intelligent plot and make this the story that lingers in my mind.

I also enjoyed the difference of 'The Sign of the Broken Sword' which progressed in a manner not usual for this collection, with Father Brown piecing together the distant past instead of the present. The final story in the collection, 'The Three Tools of Death', was a fitting conclusion and one that made me eager to read the subsequent collections of Father Brown stories.

Tuesday, 1 January 2013

2012 Short Story Challenge: Wrap-Up

Well, this makes two out of two reading challenges I failed in 2012! At least on the classics side of things I was close (five books out of the minimum of six) but on this I failed abysmally, reading only two short story collections over the year. This was my original list:


1. Night Shivers - Charlotte Riddell
2. Sensation Stories - Wilkie Collins
3. Wish I Was Here - Jackie Kay
4. The New York Stories - Edith Wharton
5. The Collected Stories - Katherine Mansfield
6. Daughters of Decadence - Various
7. Touchy Subjects - Emma Donoghue
8. ???
9. ???


Out of those I managed to read only two. I started off bright enough in January with Emma Donoghue's Touchy Subjects, a collection I thoroughly enjoyed. Then in May I read Sensation Stories by Wilkie Collins. That's it. Shameful, I know, but there you go.

I'll get to all of these collections eventually but for now I'll just have to go off into the corner with a dunce hat!

Friday, 16 November 2012

Story: Mr Guppy's Wedding Day

A while ago I entered a competition to celebrate the bicentenary of Charles Dickens. The brief was to write a short story or poem inspired by the great man and his work. Although my entry was unsuccessful, I thought I'd share it with you in honour of Dickens's 200th birthday (and a few months!). I took Bleak House as my starting point and the somewhat hilarious character of Mr Guppy. Enjoy...

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Mr Guppy’s Wedding Day

Mr William Guppy sat perfectly still, listening for footsteps outside his chamber whilst simultaneously praying none would be heard. He drew his pocket watch to compare the time with the old unreliable clock propped up beside the door. One false move, he always thought, and the contraption would come crashing to the floor. In a fire, perhaps, it would disintegrate completely and block his passage of escape. He’d be left to perish in his bed, no more to love and be loved. For Mr William Guppy was loved, as miraculous as the fact may appear to the world and indeed himself.

It had been four years since his admittance to the roll of attorneys, four years since he took possession of that wonderful little house in Lambeth – six rooms, exclusive of kitchens. He had hoped at the time... Well, he had hoped and his hopes were dashed once more and that was that. He took possession of the house at Lambeth with his mother and Tony Jobling in attendance and had lived a quiet life forthwith.

Then, quite unexpectedly so it felt to him at the time, his mother was no longer with them.

He noticed her absence at the breakfast table that morning with irritation. He had an important engagement that evening which he wished to inform her of so that she wouldn’t raise the alarm around the neighbourhood when he failed to return home on time. It had happened more than once, gaining him something of an unsavoury reputation in the neighbourhood. He resented the inference that he was his mother’s son, even if he undoubtedly was.

After breakfasting alone, he proceeded to his mother’s room. It was the dankest, darkest portion of the house, thus ascribed to her because she failed to desire anything better. In recent months it had become rather fragrant too, due to her reluctance to allow the servants access. The only visitor permitted was Mr William Guppy himself and, as a consequence, he possessed the second key. He used it this morning, dismissing the coldness that settled around the region of his neck as nothing more than a draught from the unstable roof over this part of the house. He must really speak to someone about that.

The room was still. Mr Guppy returned the key to his pocket and gazed around the room, expecting to see his mother in her accustomed moth-eaten armchair beside the window. But the curtains were drawn and the chair was empty. The light that filtered through from the sunlit corridor illuminated what Mr Guppy could only describe as a lump in the bed. A lump emitting a faint odour and a lump with an arm hanging from it.

He had waited quietly with the corpse until the undertaker arrived. His hands fixed in his lap, he tried to acknowledge the fact of the deceased. After all, it was difficult to comprehend the loss of someone who had wholeheartedly believed in him. Although her mental faculties were much diminished in recent years, she still recalled the fact she believed in him.

‘I don’t care for anyone who doesn’t care for my William,’ she would say a dozen times a day. He tired of hearing it – but only occasionally.

‘Yes, Mother,’ he would respond with a courteous smile. The smile had become strained in recent years as business faltered and times grew grimmer but, just as she believed in him, he believed in the power of her words. What else did he have to believe in at any rate?

And now she was gone from him. It was difficult, that he would concede. Yes, that he would concede to anyone who cared to know.

A pale face appeared around the door frame, anxious and extremely welcome in the gloom. ‘Mr Guppy, I just had to come the moment I heard.’

It was the daughter of a lesser client of his, a merchant who obstinately believed he was always right. Good for Mr Guppy, bad for him. But what was his name? Mr Guppy couldn’t grasp it in his present state.

‘It’s Sarah Nutworthy, Mr Guppy,’ she said, stepping further into the room. ‘Mr Nutworthy’s daughter, sir, of Nutworthy’s Shipping.’

‘Of course,’ he answered with an attempt at a smile ‘Permit me a moment of weak memory, Miss Nutworthy, please forgive me.’

‘But I wouldn’t expect less,’ Miss Nutworthy returned, entering the room fully. Apart from her pale face she brought with her a demure blue dress – of the pale variety – and a handful of letters. She held these out to Mr Guppy. ‘Mr Jobling asked me to deliver these. He thinks some of them may be important.’

Mr Guppy looked but hadn’t the stomach to handle them.

‘My sentiments exactly,’ said Miss Nutworthy, tossing them onto the bedside table, beside the corpse now covered with a sheet. ‘There is little business important at a time of tragedy.’

Raising his eyes to her, Mr Guppy asked, ‘Do you really think so, Miss Nutworthy?’

‘But of course. My mother – God rest her soul – almost put a halt to my father’s company at the time of her death.’

‘Ah, I’d forgotten your father was a widower,’ he said.

‘He remarried, sir,’ she replied.

‘Perhaps that explains my forgetfulness, eh, Sarah?’ he answered before recognising his impudence. ‘I mean Miss Nutworthy, naturally. Permit me a moment of impropriety if you would.’

‘I would permit you as much as you desire, Mr Guppy, sir,’ she said, bowing her head as a blush appeared on her pale cheeks. It was the most illuminated he’d ever recalled seeing her – and in the presence of a corpse as well. His eyes flickered back to his mother, but only briefly.

‘Would you really, Miss Nutworthy?’ he asked.

‘But of course.’

Once more his gaze rested on his mother’s blue arm dangling from under the sheet – he hadn’t trusted himself to touch it – and then he looked back to his guest. He was on his feet within a moment, swaying only slightly with delayed shock.

‘Permit me, Miss Nutworthy, to offer you some tea if I may. I am being a truly terrible host.’

This time she only nodded, taking his arm as they left the room.

‘How is it,’ he questioned as they descended the staircase, ‘that you come to visit me alone?’

‘But I don’t,’ she answered with a sweet smile. ‘My father will take tea with us.’

From that moment forth, Mr Guppy had found himself swept towards marriage. He proposed himself, of course, but only after repeated hints from the intimidating Mr Nutworthy. It was impractical, his prospective father-in-law said, to expect a girl still of attractive age to be escorted around the park with a man who did not intend to marry her. Mr Guppy, to whom these occasional walks had become a beacon of solace, wholeheartedly agreed. As a consequence, he found himself engaged to be married.

After that it had all moved rather swiftly. He could barely recall a time when he wasn’t engaged to be married to Miss Sarah Nutworthy. His days – when not taken up with business matters – were spent with Mr Nutworthy and his wife discussing the finer points of married life. It occurred to Mr Guppy once or twice that the present Mrs Nutworthy was hardly a model wife but as there was no blood relation between herself and Sarah he had hopes of Sarah becoming a wonderful spouse.

Mrs Nutworthy’s relish to dispose of her stepdaughter was evident to all who cared to notice it. Mr Guppy noticed it but thought it impudent to discuss his potential mother-in-law with anyone at all. He had never imagined there was so much to getting married. But today was the end of one passage of his life. A death had led into marriage but Mr Guppy still couldn’t fathom how it had happened so quickly.

The dreaded footsteps outside his chamber arrived. He expected the knock to be hard and fast but it was soft, dainty even. A nettle settled in the pit of his stomach.

‘Come in, Mr Jobling,’ he called, though he knew it was not he.

In entered Mrs Nutworthy, as young and spritely as her husband was old and curmudgeonous. Beneath the fluttering eyelashes there rested a woman as sharp as the day was long. He knew it and she knew that he knew it, yet the pretence between the two of them continued.

Mr Guppy rose to greet her. ‘My dear Mrs Nutworthy, what’s wrong?’

‘Why should something be wrong?’ she asked.

He checked his pocket watch again. ‘I would’ve thought you’d be helping Sarah with her...her preparations.

I suppose there are preparations?’

She chuckled mirthlessly. ‘There are, Mr Guppy, there are. But I’m afraid Sarah’s not making them.’

As his heart leapt, he managed to look perplexed. ‘Can I enquire why not?’

‘What do you know of a woman’s heart, Mr Guppy?’

‘Astoundingly little, madam,’ he replied.

‘Do you know there are women who feign love to one while harbouring designs on another?’ she persisted.

‘I have heard of such creatures.’

‘Sarah is one of them,’ Mrs Nutworthy said with a sad flourish of her hand. ‘I admit that I was perhaps too eager for her to marry you, Mr Guppy. You seem a trustworthy gentleman, not as handsome as one would like but you do have to take what you can find when a girl gets to Sarah’s age.’

He stretched his lips into a smile. ‘Quite.’

‘This morning, however, I discovered her exceptionally upset. When I coaxed the truth out of her, it seems she’s in love – I use the term loosely – with a draper’s boy from Peckham.’

‘Is that so?’ he asked with semi-interest.

‘It is, Mr Guppy.’

‘I see.’

Mrs Nutworthy left a decent pause before adding, ‘I do apologise for the expense of the wedding and the household alterations. You have mine and Mr Nutworthy’s sincerest regard.’

‘Where is the kind gentleman?’ he questioned, mainly because he thought he should.

‘Comforting his daughter I don’t doubt.’ A spasm of discomfort shot across the woman’s face, quickly hidden by her hand. ‘I shan’t keep you further,’ she went on. ‘I am only sorry the marriage could not be brought about.’

‘It is my deepest regret that it could not be,’ he said with as much sincerity as he could muster.

He escorted her to the door, intent on seeing the last Nutworthy out of his home once and for all. Alas, on the threshold was another member of that family – the kind Mr Nutworthy himself. He was flushed, obviously out of breath, and carrying a note in the hand unoccupied by his umbrella.

‘Mr Guppy, sir, ignore my wife. That’s it, old chap, look at me, not at her. Whatever she has told you, I find it within my power to retract.’

‘Retract, sir?’ His very heart was hurting now.

‘Retract indeed! I’ve had it out with Sarah, all this draper’s boy nonsense. It’s an infatuation, not like the bond you share. At length she agreed. The marriage will go ahead and all this silly bickering can be put down to wedding nerves, eh?’

Mr Guppy attempted to exchange a look of horror with the dear Mrs Nutworthy. Unfortunately, that lady’s features were contorted with delight.

‘The marriage goes ahead!’ she exclaimed.

‘Indeed it does, with all the arrangement just as before.’ Mr Nutworthy tapped Mr Guppy on the shoulder with his umbrella. ‘Do you know what she said, old chap?’

Mr Guppy looked up, unable to remember where or who he was. ‘Said, sir?’

‘When I said she’d marry you, Guppy, she said, ‘but of course’ as if it were never in doubt.’

‘Never in doubt, sir,’ Mr Guppy repeated. ‘I’d wager not.’

Read my review of Bleak House here. 

Thursday, 3 May 2012

Book Review: Sensation Stories by Wilkie Collins

This collection contains ten stories that were originally printed in various periodical publications including Household Words and Bentley's Miscellany. Most of them have been out of print for a century and many of them are very enjoyable. The introduction offers something of a crash course in Wilkie Collins for the uninitiated but I jumped straight into the stories.

A couple are notable for their reliance on supernatural elements. 'The Last Stage Coachman' is an eerie tale of a way of life lost while 'The Clergyman's Confession' builds to a supernatural climax that doesn't feel out of place in the collection. The most well-known story of the book is probably, I would guess, 'A Terribly Strange Bed'. I've certainly come across references to it within my studies and it really is a startling tale about a gambler who stays in a rather unique bed. 'The Diary of Anne Rodway' is an excellent depiction of a woman mourning the loss of her best friend. She refuses to accept a verdict of accidental death and tracks down the man responsible. Dickens apparently loved this story which is recommendation enough.

'Nine O'Clock' is an odd French Revolution piece which combines clairvoyance with more traditional themes. 'The Fourth Poor Traveller' is a nice little detective story which didn't make too much of an impression on me whereas 'The Dream Woman' stuck in my mind for some time after reading it. It involves a dream prophecy of a woman with a knife and shouldn't be read last thing at night! 'A Marriage Tragedy' is probably one of the most developed and intricate pieces, following a widow through the eyes of her servant as she remarries. 'Who Is The Thief?' is another detective story but a humorous one while 'Love's Random Shot' is an odd story about a married man who falls in love with a woman of dubious character. This last story in the collection is the least accomplished of the lot and seems a bizarre choice to conclude the collection on.

However, anyone interested in Wilkie Collins and his fiction could do worse than giving this a go. Some of the stories are gems and all have his distinct trademark style, occasionally tongue-in-cheek but always detailed.