The third series of the crime drama focused once more on the friendship between DC Rachel Bailey (Suranne Jones) and DC Janet Scott (Lesley Sharp). Amelia Bullmore is back as no-nonsense DCI Gill Murray, we get liberal sprinklings of Pippa Haywood as DSI Julie Dodson while Danny Miller joins the cast as DS Rob Waddington. However, the stand-out addition to the cast is guest star Nicola Walker. She's a recurring theme within this series and, unfortunately, that caused some chronology problems, despite how fantastic the storyline was.
The first episode opens with DCI Murray being strangled from behind in her car and threatened with a knife. Then we flash back to eight months earlier. The first case that the team deal with involve the corpse of Eunice Bevan whose decapitated body was found on the staircase of her home while her bedridden husband awaits rescue upstairs. The couple's daughter Helen Bartlett (Walker) is immediately a suspect and those viewers paying attention recognise her voice as the one who took Gill hostage, setting up the season-long strand. Fair enough.
However, to complicate the series chronology, episode two is rightly an episode that belonged either at the end of series two or right at the beginning of series three. Rachel is experiencing difficulties in her new marriage so we go back a few more months to see the circumstances surrounding their wedding and the accusation that Rachel incited her brother to murder. It was a storyline that needed this conclusion, yes, but not at that point. I completely understand why the decisions for the series chronology were made: they wanted a hook for the series, they wanted to establish Helen Bartlett's character as a recurring and important one. They actually trailed the series with Helen being delivered up to Gill by Rachel and Janet. It was the right decision for the storyline but possibly not for the series.
Now - episode content. I actually really enjoyed every individual episode, even though I did have issues with the overall structure. Nicola Walker's outstanding first outing as Helen Bartlett prompted a rather gushy adoration post from me but she kept up that momentum in the four episodes she appeared in, especially as things became more grisly. Another episode that was particularly affecting was episode six which focused on abuse and murder in a care home.
The relationship between Rachel and Janet fractures this series when Rachel goes into self-destruct mode once too often. This provided a nice backdrop to the final episodes. One thing I also appreciated was the remembrance of little details that are brought up throughout the series, both related to personal and professional lives. It was rewarding for long-term fans and added authenticity to the series.
Finally, some of the guest stars were fantastic. Pippa Haywood's returning character, DSI Dodson, was both intimidating and funny. There's a wonderful moment between her and Amelia Bullmore in the middle of a very gruesome crime scene that made me laugh out loud. In addition, Tracie Bennett (who I saw a few years ago in End of the Rainbow) arrives as Rachel's mother, not a character you can like but one who certainly makes your skin crawl. I'm not sure of the point of Danny Miller's arrival as the new DS. For such a good actor the part seems too small but, then again, this is a show centred on the women. Maybe he'll evolve if a fourth series is commissioned.
The niggles I have about chronology didn't detract from my enjoyment of this series. It remained the programme I looked forward to week after week and I'll keep my fingers crossed that the ratings were high enough to secure a renewal. Oh, and ITV? Don't use the ratings for the last episode to judge - that was on a Thursday instead of a Wednesday and you didn't trail it enough to be irritated by any loss in ratings.
Contact me at lucyvictoriabrown@gmail.com because I'm always up for a natter about anything. Well, mostly.
Showing posts with label lesley sharp. Show all posts
Showing posts with label lesley sharp. Show all posts
Friday, 24 May 2013
Friday, 4 May 2012
Television Review: Scott & Bailey S2
I had fairly positive thoughts about series one of Scott & Bailey with some caveats. However, I think the second series really got the balance between work and home right with some intriguing crimes and good acting all round. This time we had eight episode instead of six, which was an improvement though it still felt very short.
Janet Scott's (Lesley Sharp) personal life hit a new level of complex as she threw her husband out and pursued a fling with colleague, Andy. However, this soon turned sour when she ended it and he became a little obsessive. Meanwhile, Rachel Bailey (Suranne Jones) had a tumultuous time as her jailbird brother appeared on the scene along with an old boyfriend and the man accused of trying to have her killed at the end of S1 is let off due to insufficient evidence. If you add that to DCI Gill Murray's (Amelia Bullmore) difficulties with her cheating ex-husband you have a pretty wide spectrum of personal problems to look at. Surprisingly, though, they still found time to solve crimes.
The episode that sticks most in my memory involved a racist attack. Aside from the good portrayals all round one moment struck me: when the family learned the truth about the attack there was silence. That scene summed up the best aspects of this programme and the confidence of the producers who recognise that silence is an integral part of television. Equally, the scripts were strong and the setting was absorbed seamlessly into the series.
I found series two to be an improvement in many ways. The friendship between Janet and Rachel was much more established by this point and I particularly liked the episode that took Rachel and Gill away to visit a murderer without Janet. The dynamic was altered along with the way an investigation proceeds with two volatile personalities working on it. The crime investigations felt a little more complex, frequently leading the viewer (and officers) on wild goose chases. I rarely put my money on the right candidate. Finally, a special mention has to go to guest star Pippa Haywood. I love that woman and at the moment she seems to pop up in most things I watch.
Since Scott & Bailey has been nominated for a Bafta I think a renewal is definitely on the cards. You won't find me arguing with that.
Janet Scott's (Lesley Sharp) personal life hit a new level of complex as she threw her husband out and pursued a fling with colleague, Andy. However, this soon turned sour when she ended it and he became a little obsessive. Meanwhile, Rachel Bailey (Suranne Jones) had a tumultuous time as her jailbird brother appeared on the scene along with an old boyfriend and the man accused of trying to have her killed at the end of S1 is let off due to insufficient evidence. If you add that to DCI Gill Murray's (Amelia Bullmore) difficulties with her cheating ex-husband you have a pretty wide spectrum of personal problems to look at. Surprisingly, though, they still found time to solve crimes.
The episode that sticks most in my memory involved a racist attack. Aside from the good portrayals all round one moment struck me: when the family learned the truth about the attack there was silence. That scene summed up the best aspects of this programme and the confidence of the producers who recognise that silence is an integral part of television. Equally, the scripts were strong and the setting was absorbed seamlessly into the series.
I found series two to be an improvement in many ways. The friendship between Janet and Rachel was much more established by this point and I particularly liked the episode that took Rachel and Gill away to visit a murderer without Janet. The dynamic was altered along with the way an investigation proceeds with two volatile personalities working on it. The crime investigations felt a little more complex, frequently leading the viewer (and officers) on wild goose chases. I rarely put my money on the right candidate. Finally, a special mention has to go to guest star Pippa Haywood. I love that woman and at the moment she seems to pop up in most things I watch.
Since Scott & Bailey has been nominated for a Bafta I think a renewal is definitely on the cards. You won't find me arguing with that.
Tuesday, 26 July 2011
Some Television Renewals
I was a little anxious about whether ITV would recommission some of the excellent dramas they've shown this year. The channel don't have a great track record for sticking with things (aside from soap and reality television, of course) and I don't think the viewing figures were as high as executives hoped. However, I was proven pleasantly wrong today as Case Sensitive, Scott & Bailey and Vera were all renewed.
Case Sensitive will be another two-parter centring around DS Charlie Zailer and DC Simon Waterhouse. According to Sophie Hannah's Twitter feed, it will take her novel The Other Half Lives as its story. That was the first of Hannah's books I read so I'm eager to see how it will translate onto screen. Olivia Williams and Darren Boyd were fantastic in the lead roles last time around and I suspect they'll be as riveting this time. Read my review of the first Case Sensitive here.
Scott & Bailey was the series I was most concerned about. Despite having a stellar cast, it struggled to maintain a decent balance between crime and the personal stories in each episode. I commented at the time that it was most likely because the run was so short at only six episodes. Well, ITV have upped that this time to eight episodes which is a show of faith - but perhaps not enough. Now both actors and writers have got a proper feel for the characters I think this should work very well. Interestingly, this is the only programme out of the three which wasn't adapted from a book. Read my review of series one of Scott & Bailey here.
I never got round to reviewing Vera because I watched it so long after it was broadcast. However, I really enjoyed it. Brenda Blethyn was excellent as the tough-skinned, abrasive detective and the supporting cast came into their own as the episodes progressed. It was beautifully shot as well, utilising the North East landscape to make it as much of a character as Vera herself. Filming has already started on the four two-hour episodes and I look forward to seeing and - hopefully - reviewing them.
Any thoughts on the recommissions?
Tuesday, 5 July 2011
Television Review: Scott & Bailey

I had high hopes for this series. After all, it's a detective programme centred around female police officers working in Manchester. It has Lesley Sharp and Suranne Jones in it and was co-created by the wonderful Sally Wainwright, a woman I'd admire even if she wasn't Yorkshire born and bred. However, I have to admit that several episodes of the six episode series left me a little ambivalent.
The series was touted as a show about two colleagues who were friends first and foremost. This really didn't come across in the first episode. Janet Scott(Lesley Sharp) seemed to know less about Rachel Bailey (Suranne Jones) than the audience did. That ruined the concept somewhat. I will concede, though, that as the series ran on the friendship between them solidified and actually contributed to the detective aspect of things. One criticism my father had (which I agree with) was that the show should really have been called Scott, Bailey and Murray since DCI Gill Murray was as much a part of this series as Scott and Bailey were. Not that I didn't appreciate three women taking the lead on murder investigations for a change.
The series was touted as a show about two colleagues who were friends first and foremost. This really didn't come across in the first episode. Janet Scott(Lesley Sharp) seemed to know less about Rachel Bailey (Suranne Jones) than the audience did. That ruined the concept somewhat. I will concede, though, that as the series ran on the friendship between them solidified and actually contributed to the detective aspect of things. One criticism my father had (which I agree with) was that the show should really have been called Scott, Bailey and Murray since DCI Gill Murray was as much a part of this series as Scott and Bailey were. Not that I didn't appreciate three women taking the lead on murder investigations for a change.
Some of the crime stories were a little predictable. However, I do think they made up for some of that predictability with the grittiness promised prior to transmission. There was a particularly gruesome scene in episode four where a man was filmed being hacked to pieces. Although we didn't see much I still can't get that scene out of my head. To a seasoned crime pro like my father the plots were average. I liked them, even if it did feel like they were a sideline to whatever personal drama was going on during that episode.
Which brings me to my main criticism - and it isn't even completely the fault of the individual programme. I don't believe that in the UK we commission decent runs of shows. Scott & Bailey was only six episodes long, hardly enough time to engross your audience in the lives of two particular officers and do justice to the crime stories as well. If the personal condundrums had been spread over, say, twelve episodes or perhaps fifteen then each episode wouldn't have felt quite so cluttered. Eight months apparently passed between episode one and episode six - I would've loved to slow down a bit and experience a little more of those months while having more of the individual episodes devoted to the crime story.
The two storylines running throughout the series were Rachel's relationship with slimy barrister Nick Savage and Janet's quest to find the killer of her childhood friend. Overall these worked, although it took suspension of belief to comprehend than a detective as smart as Rachel would be taken in by such a man.
I can't criticise any of the cast. The regulars alongside an excellent supporting cast were enjoyable to watch (or disturbing as the case may be). On balance, I would welcome a recommission by ITV but I'm not certain how the ratings were (and that returns me to an argument about deliberate broadcasting clashes which I won't bore you with). ITV don't have a great record on giving things another try but with such a cast and no doubt some positive intentions for a second series I hope they fight against their history. We need quality drama in this country and not all great dramas have flourished after the first series.
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