Contact me at lucyvictoriabrown@gmail.com because I'm always up for a natter about anything. Well, mostly.

Showing posts with label gary cooper. Show all posts
Showing posts with label gary cooper. Show all posts

Friday, 4 October 2013

Classic Film Review: They Came to Cordura (1959)

They Came to Cordura stars Gary Cooper as Major Thorn, an officer guilty of cowardice who now wants to create some real heroes. He takes five men after a 1916 battle against the Mexicans, intent on delivering them up as real-life heroes to be looked up to in the troubled years ahead. They are accompanied by a prisoner accused of helping the Mexicans - Adelaide Geary (Rita Hayworth). But as they travel through the difficult landscape, tempers fray and the nature of these 'heroes' becomes clear.

The first twenty minutes of this film - establishing Thorn and showing the actual battle - dragged for me. I understand why it was included but it was only when the seven set off on their trek that the film got interesting. I'm not certain we needed to see the heroic deeds in order for the rest of the film to work. Also, it's fair to say that Cooper was too old for this role, but that only makes itself blatantly clear in the final sequence. It was a decent performance but he did feel out of place.

Rita Hayworth, coming into her own towards the end of the film, was a revelation. Apart from the irritating aspect of her perfect hairstyle throughout (after days in the desert), she fulfilled her role wonderfully from the first time she sets herself against the men to the painful finale. Her act of sacrifice for Major Thorn is notable for its unshrinking honesty. There is one scene where Thorn and Adelaide are discussing what happened to label him a coward and it is stunning for its quiet intensity.

Occasionally, the soldiers become caricatures, almost pantomime villains. That can be said of the chief antagonist, Sergeant John Chawk (Van Heflin), who offers us tantalising glimpses of the man beneath but not enough to justify why he makes it his mission to not only overthrow Thorn but to kill him too. Lieutenant William Fowler (Tab Hunter) is probably the most intriguing of the detail - the man who joins the pack last and has the final line of the film.

This is a film about courage and cowardice, one that attempts to demonstrate that simply being a 'hero' or a 'coward' once in your life is not all a person is about. As Adelaide says: "One act of cowardice doesn't make a man a coward forever, just as one act of bravery doesn't make a man a hero forever." That is the point of this film, and it's one it makes very well.




Thursday, 1 November 2012

Classic Film Review: Cloak and Dagger (1946)

Cloak and Dagger stars Gary Cooper as Professor Alvah Jesper, a scientist who is recruited by the allied secret service to find out what stage the Germans are at with their development of a nuclear bomb. Jesper is sent to see Dr Lodor (Helene Thimig) in Switzerland after she has escaped from German control. However, she is then kidnapped and killed during a rescue attempt. Jesper's attention turns to a colleague of Lodor's, Dr Polda (Vladimir Sokoloff), who is trapped in Italy forced to help the Germans who have his daughter in detention. Jesper and the secret service set out to free both him and his daughter.

Now, if it sounds convoluted that's because it really is. The plot is haphazard and by the time you realise the point of the film is to rescue Polda and his daughter you've already got through most of the film. It goes to a lot of trouble to set up Dr Loder as the person in need of rescue then turns it upside down. While this could be considered a good twist, what it actually does is muddy what is already a disjointed film.

Jesper is an unusual hero for a film like this. He isn't in control of anything, he's the scientist constantly led by the secret service and their agents. Although there are a couple of 'exciting' moments, he is never the driving force behind the narrative. His conversion from scientist to helpful operative never really works for me. Neither does his romance with Gina (Lilli Palmer), an operative who helps him once he's in Italy. Palmer herself is as sublime as ever in one of her early roles but proves to be one of the only things I liked about the film.

Hammy death scenes, convoluted plot and an unheroic hero - not the best WWII film I've seen by far.