Contact me at lucyvictoriabrown@gmail.com because I'm always up for a natter about anything. Well, mostly.

Showing posts with label noel coward. Show all posts
Showing posts with label noel coward. Show all posts

Monday, 17 September 2012

Classic Film Review: This Happy Breed (1944)

Written by Noel Coward and directed by David Lean, This Happy Breed is essentially the story of a working-class family between the two wars. Just after WWI the Gibbons family move into a suburban house: Frank (Robert Newton), Ethel (Celia Johnson) and their three children along with Frank's sister Sylvia (Alison Leggatt). Their next door neighbour happens to be a man Frank met during the war, Bob Mitchell (Stanley Holloway), and he has a sailor son, Billy (John Mills). The film follows the fates of these characters until the outbreak of WWII.

Because of the scope, the film can feel a little fragmented at the beginning, particularly in regards to the three children: Vi (Eileen Erskine), Queenie (Kay Walsh) and Reg (John Blythe). Once these are firmly established, though, it becomes intricate and interesting. We see the major events of the period - the General Strike, the abdication etc - through the eyes of this typical family. In addition, of course, they live their lives with the children getting older, getting into trouble and getting married.

This turns out to be a compelling narrative primarily because of the talents of the cast. Newton and Holloway make a great double-act as friends going through middle-age (and often getting drunk along with it) while Johnson's performance as Ethel is both repressive on the outside and emotional underneath, as befitting the era. There are plenty of on-going strands such as the rivalry between Sylvia and her brother's mother-in-law and Billy's love for Queenie. There are a couple of shocks along the way but these are tempered by as happy an ending as you can get when your audience knows WWII is about to start. We live with the Gibbons family for two decades and it feels very strange to say goodbye to them after that journey.

There was, for me, one stand-out moment of the film. When Vi is delivering some terrible news to her family, the radio is on in the background. She tells her aunt and her grandmother then goes out to the garden to tell her parents. The room is empty but the radio keeps on playing jazzy upbeat music until her parents reappear alone, completely shell-shocked. It's just a beautiful moment of film.

There isn't a bad performance in this one and the writing is excellent. If you're looking for a portrait of an 'ordinary' family between the wars (with a few dramatic elements thrown in along the way) then this is well worth a watch.


Thursday, 16 August 2012

Classic Film Review: Brief Encounter (1945)

This British classic stars Celia Johnson as Laura Jesson, a happily married woman who finds her life changing dramatically after a chance meeting with Dr Alec Harvey (Trevor Howard) at a railway station cafe. They meet accidentally again the next week and spend the afternoon together. After that, their meetings are planned as they tread dangerously close to a full-blown affair.

The body of the film is actually a flashback. We initially meet Laura and Alec at their last meeting, rudely interrupted by a friend of Laura's. We follow her home to husband Fred (Cyril Raymond) and she imagines telling him the story of the last few weeks - what follows is ostensibly directed at him. This style left me a little impatient to get into the meat of the story but it works. What also works is the subplot between station guard Albert (Stanley Holloway) and cafe manager Mrytle (Joyce Carey). It adds a little light relief to what is essentially a very painful film and Holloway fills the role with typical aplomb.

Brief Encounter certainly deserves the label of 'classic'. Although the dialogue ventures towards ridiculous at times, the two leads put in very solid performances. Naturally, we know more of Laura than of Alec, and at times I struggled with the belief that he felt as strongly as Laura did about their new relationship. However, Johnson and Howard worked well together and I particularly liked the boat scene where Alec takes an unfortunate dip. The film is coloured with the audience's knowledge of the finale, inserting sadness into almost every scene between Laura and Alec. It's a beautiful snapshot of the lives of two people but it is a very sad one.