Contact me at lucyvictoriabrown@gmail.com because I'm always up for a natter about anything. Well, mostly.

Showing posts with label naming. Show all posts
Showing posts with label naming. Show all posts

Tuesday, 24 November 2015

Peril of Naming a Walk-On Character

I've written a bit recently about attacking the fourth draft of my WIP 'Max' (by recently, I mean Friday!). Funny how just when you think you're on track with a project it decides to surprise you all over again. You see, this one follows a mother and a daughter (from the perspective of the daughter and the mother's lover) and I'd pretty much accepted the fact that the interactions that needed fixing in this draft were the ones involving the lover. Apparently not.

I was in my writing haunt yesterday afternoon warming through with caffeine and clutching my editing rock for inspiration (don't ask) while I was reading the detailed notes for the rewrite of chapter eight. The location needed to have greater significance so I began wondering why my character chose that cafe out of all the others and a waiter trots into the scene. Fine, I thought, let's give him a name. Big mistake.

As soon as I named him and he started talking to my viewpoint character, I liked him. Disaster. The love interest for this character is a little bit square and boring and, ultimately, they don't end up together. But this guy... Well, he comes from a completely different background, he's cheeky and he has connections with her past that the other lad doesn't understand. In short, he's perfect for her and, what's more, it fits the overall narrative of the parallel plot of the mother.

Now, I may be stuffing a new character into my novel for no reason. I may have to extract him from the fifth draft with tweezers. However, I think it's definitely worth a shot. It's going to mean some exceedingly careful consideration of the rest of the novel. To be fair, though, that was already necessary anyway. The extensive notes I marked up for the fourth draft aren't obsolete as much as complementary to the notes I'm keeping in my head about new directions and backgrounds. What I really need is to get this written down. And, in the meantime, Ed's here to stay. As is my editing rock.


Tuesday, 17 May 2011

Pet Names

To avoid any confusion, I'm talking about 'names for pets' in this post. Not 'pet names' such as 'snuggles', 'cuddles', 'arsenic', and 'bulldozer'. That's a whole different category and one that could make everyone feel rather nauseous. No, I've been thinking a lot lately about animal names and their relationship to fiction: how do you decide what to call your pets and, more importantly, how do characters?

So far in my novel drafts I've only included one pet. There's an excellent piece of advice in some book somewhere that warns writers not to include animals without an exceptional reason. They can be self-indulgent little things that do nothing apart from hold up your plot and, when you forget about them, can leave the reader wondering where the fluffy kitten is and whether you did actually leave it in the burning building. The cat in my novel serves a few purposes, or at least I believe she does. I may be being self-indulgent. But Meg gives my protagonist something to get up for in the morning, she gives her something to talk to, and she serves to illuminate aspects of character by her preference for certain characters over others. As a cat person, I have to say that a cat's opinion can occasionally sway me in something like that. Yes... I know.

But why the name Meg? Well, my protagonist found the cat as a stray and gave her a human name to make her part of her hitherto single-person family. The old saying goes that if you give a cat a human name it becomes more human in your eyes. Now, I don't know what our pet names say about us as a family.

My cat, who unfortunately died last week, was called Stalin. Her sister, who passed away a few months ago was called Vlad. These cats were originally my sister's but part of her agreement to get them dictated my mother should have a say in the names. And she was kind of into her history. I have to say, whereas Vlad was a softie, Stal lived up to her name on some occasions. But not as much as the first cat I remember - Beast. Now, she was a stray and a very violent scrappy cat. I was scratched more than I care to remember when I was younger by that darling. She had a particularly amusing game of hanging around on the kitchen country ready to leap onto the back of our poor, unsuspecting doggy. She was originally called (embarrassing moment coming up) Icolbit, because a child who shall remain nameless couldn't speak and wanted her to come over 'a little bit'. However, 'Beast' was a much more appropriate name for her.

We've had two dogs in my lifetime. Paddy, probably a whippet crossed with something it really shouldn't have been crossed with, was a rescue dog. The first day we got him he ran from the house into the middle of a busy road because he was scared. I'm not sure the car helped his fear much. However, one metal plate later and he was perfectly happy. He still shook at anything, even a raised voice, but he was the most docile, friendly dog you could encounter. When he died my mother was heartbroken, and made the decision to go check out a puppy next door to one of my aunts the very same day. So we ended up with Rosie, a Cairn crossed with a Westie... we think. She's highly excitable and we're currently having some problems with her because she misses Stalin terribly. Once Beast died she became attached to Vlad and when Vlad died she latched onto Stal. She's now lost and confused and thinks we're going to leave her every time we leave the dining room. Rosie was my name choice, and not for very pleasant reasons either. There was a stuck-up girl I hated at school, part of a set who loved the look of themselves in a mirror. Naming my dog after one of them seemed to be the ultimate revenge at the time. Ahem. I promise I have grown up since then.

We've had an array of animals in my family. Maud, a grey long-eared rabbit; Norman, a brown and white rat; Noel and Liam, my brother's budgies. Plus an assortment of mice, rabbits and fish whose names escape me. But, for the most part, they were all part of the family - that is, they were named as if they were part of the family.

I know that including pets in fiction should be avoided if they're just going to be an issue of cuteness and irritation to the reader. But think of Fang in the Harry Potter series: whenever Hagrid was in his hut I wanted to know where the dog was because he was a vivid character in my mind. He helped define Hagrid. Where would Count Fosco be in The Woman in White without his assortment of mice and birds? The attention he pays to them highlights a peculiar edge to his character. And, in the world of television, where would Martin Crane be without his dog, Eddie? Animals can help define and shape character as much as they can annoy the audience by their constant interruptions. The key as a writer is to know when you're indulging yourself and when you're indulging the requirements of the plot or scene.

Monday, 15 November 2010

Naming Historical Fiction Characters

It sounds like one of the most obvious aspects of writing historical fiction but as I began a Victorian project last night I decided I needed to be very careful with my opening action: naming my characters.

After all, there would be nothing more embarrassing than to submit a manuscript and for someone to kindly point out that the name you've deliberately selected didn't exist until forty years after your novel ends. That's assuming it gets picked up at that point. Depending on how you go about publishing it could be your readers detecting your error and instantly losing faith in your ability.

I've previously blogged about choosing meaningful names for characters. When planning and writing historical fiction you have to add another aspect to this: legitimacy. For my particular era, there are interesting names out there which draw away from the Catherines, Elizabeths and Janes who are so prevalent in Victorian fiction and history. I could have Lena as my heroine, or perhaps Honora. As it happens, I'd already determined my protagonist should be as plain as possible - so I've named her Jane.

The entire supporting cast needed equal consideration though, and surnames are a additional problem. If you intend on shortening a name within the story ensure the contraction was used in the era you're writing about. Don't assume that just because you've read or seen something which uses a particular name that the name was common back then. It all depends on how much you want to accentuate your characters. Adding a somewhat exotic name can have the effect of distancing your story from the period in which it is set. If that's your intention that's fine but make sure it is.

Finally, I would just add a word of caution: always verify your names from more than one source. This isn't to suggest that any particular sites are unreliable or incorrect, but as with any aspect of your research you should be sure to avoid embarrassment or inaccuracy further down the line.

A couple of sites I'd recommend for research are:

Behind The Name

Baby Names Garden

Alternative Baby Names

As for my assembled cast? I've deliberately stayed relatively plain.

Jane, Eliza, Ralph, Amelia, Harry, Henry, Mrs Weeks, Margaret, Patrick and Sarah. Subject, of course, to change!

Friday, 7 May 2010

Names: The Meaningful Method

I don't know about other writers but I can't focus on a character, can't flesh them out, without a name to go with them. A name sets a character in concrete, gives me something to come back to when I ask the inevitable question, 'hang on, who was I thinking about?'. Part of the process at the very beginning of the planning stage of any project involves lots of faces, lots of attributes that you consider and discard. Being able to say, 'no, Bob, wouldn't act like that', is more conclusive than saying, 'he wouldn't do that'.

He who?

I've been researching names for several projects in the last few days. This one, which I anticipate turning into a novel-length piece, is about a woman defined by one mistake made in the past which ruined plenty of lives. She's bitter and anger but also confident about her conduct. I knew this about her but I couldn't begin to flesh her out properly until I knew her name.

I sat there for ages thinking. Personally, I like my fictional names to be shortened and, like anybody, I've got my favourites. I've run out of digits for the number of Cassies and Jennys I've got stashed away in unfinished short stories. And somehow when you sit down to think of a name you go through your friends, family, favourite authors, favourite actresses and after you've ruled them out where else is there to go?

I strayed onto several naming websites intended for expectant mothers. I know these (and baby name books) are a staple for some writers but I've never found them that useful - until now. I scrolled through the top hundred names of 2002 (and recoiled in horror) then skipped to the alphabetical list. This was going to be a long task, I thought, as I dragged my eyes through 'D'. Then I saw a phrase: 'God is my judge', the loose meaning of the names Daniela and Danielle. I was entranced. A lot more about Danielle (Danni) suddenly fell into place, along with the name of her love interest, Jude ('one who is praised'), and the romanatic antagonist, Michael ('who is like God'). Throw in the name of the bitter therapist, Sandra ('helper of humanity'), and my main cast is suddenly assembled.

The meanings just jumped out at me. It's a very unscientific way of naming, I suppose, but it worked in this instance. However, it hasn't worked in the past. I can't help thinking that next time I need to name characters for a novel I'll find myself in the predicament of staring at a blank page for an hour again.

Then again, maybe I'm over-thinking it? It could be that I'm so caught-up with knowing details (though a name isn't exactly minor!) because I'm trying to put off the business of writing.

And we've all done that at some point.