I'm crazy. I mean, this is common knowledge and everything but it's being reiterated by the fact I'm actually attempting NaNoWriMo this year. I'm (hopefully, don't press for details for this) submitting my thesis in the next two months which (again, hopefully) means running around like a headless chicken making sure everything in it is damn near perfect. Much of this headless-chicken activity will (theoretically, again with the not asking) be taking place in November. So why the hell am I contemplating throwing NaNoWriMo into the mix?
Well, for starters, I've got an idea. When I wrote my usual list of 2014 goals, I said that there was an idea only I could write. I still believe that and, over the months, it's solidified. Instead of the abstract prospect, it's now rooted in a place and my second protagonist came to me with a flash. It's going to be difficult to write but I think I'll feel better for it.
There are other reasons I'm determined to participate. I love the online camaraderie that goes with it and I relish pushing myself to reach the 50,000 goal. In addition, I need to push myself in other ways this year, hopefully attending the write-ins properly instead of just hiding in a corner. Plus, I think the distraction of NaNo in the evenings after arguing with my thesis all day will prove beneficial. At least my novel is under my control... Until the characters take over anyway.
So what can I tell you about my NaNoWriMo novel for 2014? It's typical me so lesbian romance with twists and turns and it's set in a residential care home. That's all I dare share.
Contact me at lucyvictoriabrown@gmail.com because I'm always up for a natter about anything. Well, mostly.
Showing posts with label ideas. Show all posts
Showing posts with label ideas. Show all posts
Tuesday, 14 October 2014
Monday, 18 February 2013
Oops, I Did It Again...
There's a nice line in my '...Onwards to 2013' blog post which I was determined to actually stick to. It was simply this: "In addition, I'll try and resist adding new first drafts to my pot (excluding NaNoWriMo)." My logic was sound. After all, I've got six novels in varying stages of redrafting already written. What I need to spend this year on - alongside my PhD, of course - is redeveloping those to make them fit for human consumption. I was going to allow myself a NaNoWriMo novel because one first draft in a year might just satisfy me.
Might. I should've known not. You see, I got a brilliant idea last week. This amazing character just popped into my head unbidden and, naturally, I can't let her leave. That would be rude, amongst other things. So I started writing on Friday. A chapter a night means I now have three chapters coming to just over 5,200 words. Not bad for a weekend when I was supposed to be doing nothing and relaxing.
My problem is, as part of my maximising productivity drive (see here) I need to focus on one thing at a time. Unfortunately, the next week has already been earmarked for my PhD studies. I have a supervisor meeting on Tuesday so my plan for today was a read-through of my chapter and also some secondary reading I've had on my shelves for a few weeks. Then Sheffield on Tuesday and, after that, who knows? I have a feeling my supervisor will suggest I put this chapter aside for a few months and start my next. That means Wednesday through to Friday could be devoted to rereading Edmund Yates's The Silent Witness and going through some fresh secondary material picked up at the library on Tuesday.
As for the week after, I've promised my agent a revised version of novel one ('Lily') by the end of the month. That rather ties me up a little, doesn't it?
I suppose I just have to hope that the enthusiasm for this idea doesn't die out rapidly. I don't think it will, to be honest, and it needs a few weeks to percolate properly. While I have the next few chapters mapped out in my head I don't have an ending to work towards yet, and that's my preferred method of working. This may work to my advantage. And, perhaps, a few chapters may be slyly written in the interim.
So, a week on the PhD and a week on the novel editing... Easy. Roll on March!
Might. I should've known not. You see, I got a brilliant idea last week. This amazing character just popped into my head unbidden and, naturally, I can't let her leave. That would be rude, amongst other things. So I started writing on Friday. A chapter a night means I now have three chapters coming to just over 5,200 words. Not bad for a weekend when I was supposed to be doing nothing and relaxing.
My problem is, as part of my maximising productivity drive (see here) I need to focus on one thing at a time. Unfortunately, the next week has already been earmarked for my PhD studies. I have a supervisor meeting on Tuesday so my plan for today was a read-through of my chapter and also some secondary reading I've had on my shelves for a few weeks. Then Sheffield on Tuesday and, after that, who knows? I have a feeling my supervisor will suggest I put this chapter aside for a few months and start my next. That means Wednesday through to Friday could be devoted to rereading Edmund Yates's The Silent Witness and going through some fresh secondary material picked up at the library on Tuesday.
As for the week after, I've promised my agent a revised version of novel one ('Lily') by the end of the month. That rather ties me up a little, doesn't it?
I suppose I just have to hope that the enthusiasm for this idea doesn't die out rapidly. I don't think it will, to be honest, and it needs a few weeks to percolate properly. While I have the next few chapters mapped out in my head I don't have an ending to work towards yet, and that's my preferred method of working. This may work to my advantage. And, perhaps, a few chapters may be slyly written in the interim.
So, a week on the PhD and a week on the novel editing... Easy. Roll on March!
Tuesday, 20 December 2011
Organisational Matters
My office temping jobs instilled in me a mania for keeping things organised - at least as far as work is concerned. I like my bookshelves to be neat, my filing cabinet to be segregated and to know where I'm up to with any specific task. I don't know why it's taken me so long to create the two things I've completed in the last week considering the spreadsheet madness that has taken over my life since I started my PhD but these are two things I'm now using in my writing life:
Scene Analysis Spreadsheet
I'm fairly sure that I saw this idea on someone else's blog (and would credit if I could remember, honestly). I've gone through the latest draft of the first novel I completed. This is the one I completed for NaNoWriMo 2009 and which has undergone major changes since then. Nevertheless, I looked at it and knew there was still something missing. So I created a spreadsheet with the following categories to break each scene down into the sum of its parts and see exactly where I was:
Chapter
Scene Number
Scene Description
Scene Type
Characters
Location
Day/Time
Protagonist's Goal
Protagonist's Motivation
Protagonist's Complication
Outcome/How Does Scene Affect Growth?
I'm using the exceptional book Make a Scene by Jordan E. Rosenfield to help me with the breakdowns and see whether each individual scene works. I've got thirty one chapters and eighty-five scenes to work with. The novel needs a lot of work but collapsing it into individual units to be assessed may make it seem less intimidating. I am, however, happy with the overall story and structure. That only took two years!
The Book of Ideas
Again, I know I borrowed this from someone else but I can't recall who. I've taken a huge notebook, about three hundred pages, and have listed all the current projects and ideas I have with notes detailing where I'm at with each of them. Each project has a whole page to itself, meaning I've got plenty of space to fill up with details later. It looks quite empty at the moment but I'm hoping that'll change. There are three things on each page - 'Subject', 'Format' and 'To Date'. What's intriguing - for me, anyway - is the breakdown I've currently got in different formats:
Prose (novel) - 11
Prose (short story) - 28
Script (play) - 2
Script (television drama) - 4
Script (radio drama) - 2
Script (film) - 1
Script (musical) - 1
Script (unsure) - 1
Unsure - 5
As you can tell, I have too many ideas! Documenting them like this will help me keep track of them and encourage me to work on the ideas I've already got instead of dreaming up new ones all the time. Well, that's the theory...
Scene Analysis Spreadsheet
I'm fairly sure that I saw this idea on someone else's blog (and would credit if I could remember, honestly). I've gone through the latest draft of the first novel I completed. This is the one I completed for NaNoWriMo 2009 and which has undergone major changes since then. Nevertheless, I looked at it and knew there was still something missing. So I created a spreadsheet with the following categories to break each scene down into the sum of its parts and see exactly where I was:
Chapter
Scene Number
Scene Description
Scene Type
Characters
Location
Day/Time
Protagonist's Goal
Protagonist's Motivation
Protagonist's Complication
Outcome/How Does Scene Affect Growth?
I'm using the exceptional book Make a Scene by Jordan E. Rosenfield to help me with the breakdowns and see whether each individual scene works. I've got thirty one chapters and eighty-five scenes to work with. The novel needs a lot of work but collapsing it into individual units to be assessed may make it seem less intimidating. I am, however, happy with the overall story and structure. That only took two years!
The Book of Ideas
Again, I know I borrowed this from someone else but I can't recall who. I've taken a huge notebook, about three hundred pages, and have listed all the current projects and ideas I have with notes detailing where I'm at with each of them. Each project has a whole page to itself, meaning I've got plenty of space to fill up with details later. It looks quite empty at the moment but I'm hoping that'll change. There are three things on each page - 'Subject', 'Format' and 'To Date'. What's intriguing - for me, anyway - is the breakdown I've currently got in different formats:
Prose (novel) - 11
Prose (short story) - 28
Script (play) - 2
Script (television drama) - 4
Script (radio drama) - 2
Script (film) - 1
Script (musical) - 1
Script (unsure) - 1
Unsure - 5
As you can tell, I have too many ideas! Documenting them like this will help me keep track of them and encourage me to work on the ideas I've already got instead of dreaming up new ones all the time. Well, that's the theory...
Friday, 21 October 2011
Blogging NaNoWriMo 2011: The Idea
Here I am again. Despite the fact I'm still debating whether
or not to participate in the challenge this year, I'm blogging about my plans!
That rather says it for me, doesn't it? Last year, I crashed out at a very early stage and, looking back at my reasons, I think I'm
mental for trying this again.
After all, I asked, "Why did I think that
something which had slipped between forms, setting and characterisation for the
past eight years would settle down so easily?" Do you know what I'm
planning to do this year? Yes, that's right: take another setting for this very
same novel and mush up the definite characters I've got in my head to create a
very different story. Before I hear cries of "cheat", I do solemnly
swear that I haven't written a word of this novel before. The alteration of
setting means the few thousand words I managed last year are completely useless
- I can't use them because a service station is a very different place to a
laundrette. The interactions my characters will have are going to be completely
different and relationships will build differently as a consequence. While the essence
of the idea (the characters I've had in mind for many years) is the same, the
story I'm going to tell isn't. It will still be a tale of love and redemption
but the way that redemption comes about will be a completely different process
to the one I planned last year. I still have to be cautious though. Last year I
wrote, "I think it's a non-idea. Or maybe it's meant to be written,
just not by me." That doesn't bode well and speaks volumes about my
stubbornness.
Something else struck me as I looked at my failure from
2010. I said, "In order for me to still be fighting in December
something had to give in November." That sounds familiar, doesn't it?
I've blogged about the imminent failure I'm facing in all areas of my life at the moment: do I
honestly believe I can throw NaNo into the mix and survive?
I'll leave the answer blowing in the wind until I see what
happens.
Tuesday, 28 September 2010
Days Like These: British Rail Included
I'm very much of the mindset that things happen for a reason. Call it fate, call it what you will, but when something unexpected happens to interrupt my day I try to look past it (however difficult that is) and look at the situation from a distance. More often than not, something else occurs during the day that I hadn't anticipated. Whether it came from 'fate' or whether something at the back of my mind ground into action because of the delay and reminded me of something in particular, I don't know. I've just come to let my anger and irritation wash over me as best I can when something goes wrong.
However, today completely baffled me.
I was due to attend a group meeting in Sheffield at half-past nine, the official start to my Ph.D. To be cautious I decided to get a very early train because I wasn't certain where I was going. All fine so far. But as we trundled to a stop before Sheffield I began to feel this wasn't going to be so easy. Sure enough, there was a blanket signal breakdown - no trains going north or south. Not to panic, I sat patiently on the floor (this was a British train after all and whoever heard of getting a seat?) and read Wilkie Collins. The guard then announced we were being allowed into the nearest station where we could switch to a tram to get into Sheffield itself.
Fine. I jumped at the chance. At first the tram was a little crammed with all the passengers from the train but we got comfortable and moved along. Then at the next stop we were packed in like sardines. Suddenly I had five people intruding on my personal space while my left arm gripped tightly at a bar just out of easy reach. When we finally reached the city centre I was forced to spill off the tram with everyone else. Then came the next problem: I had no idea where I was.
At least I had some idea of geography from the train station to the university. As it was, I stood in the middle of town squinting and checking my watch. I had to get moving and just began walking upwards through the shopping precincts. I was exhausted, hungry (having intended to grab breakfast while I meandered up to the uni at my own leisurely pace) and extremely nervous. Of course, I had no choice: I had to keep going and to do that I had to keep focused on my goal. Luckily for me, Sheffield has maps dotted around so with a bit of logic first thing in the morning I made my way to the university. (As an aside, if I ever learn the name of the idiot who decided to build it on a huge hill I'll scrawl all over their portrait in black marker pen.)
I made it in time. I even managed to look human while I sat panting in the enormous lecture hall. Once the speeches kicked in on what to expect I was ready to tune in and I suppose I was relatively calm. Having thrown all my efforts into getting there I hadn't had a chance to do my usual work-myself-up-into-a-nervous-frenzy trick.
So was that the point? Was there a point? A while ago I blogged about the coincidence of meeting familiar people in unfamiliar locations. The more I think about it the more I believe some things just are meant to be. As both a human being and a writer that's a worrying thought.
Still, I haven't grasped the point of my other adventure today. Three pharmacies didn't have my prescription, forcing me to walk about like a zombie waiting to be placed delicately back in the grave. What was the point of that one?
I just have to take comfort in the fact that days like today can provide the backdrop for a story. At least, that's what I was thinking when I began chuckling aloud on the packed tram... much to the concern of the other commuters.
However, today completely baffled me.
I was due to attend a group meeting in Sheffield at half-past nine, the official start to my Ph.D. To be cautious I decided to get a very early train because I wasn't certain where I was going. All fine so far. But as we trundled to a stop before Sheffield I began to feel this wasn't going to be so easy. Sure enough, there was a blanket signal breakdown - no trains going north or south. Not to panic, I sat patiently on the floor (this was a British train after all and whoever heard of getting a seat?) and read Wilkie Collins. The guard then announced we were being allowed into the nearest station where we could switch to a tram to get into Sheffield itself.
Fine. I jumped at the chance. At first the tram was a little crammed with all the passengers from the train but we got comfortable and moved along. Then at the next stop we were packed in like sardines. Suddenly I had five people intruding on my personal space while my left arm gripped tightly at a bar just out of easy reach. When we finally reached the city centre I was forced to spill off the tram with everyone else. Then came the next problem: I had no idea where I was.
At least I had some idea of geography from the train station to the university. As it was, I stood in the middle of town squinting and checking my watch. I had to get moving and just began walking upwards through the shopping precincts. I was exhausted, hungry (having intended to grab breakfast while I meandered up to the uni at my own leisurely pace) and extremely nervous. Of course, I had no choice: I had to keep going and to do that I had to keep focused on my goal. Luckily for me, Sheffield has maps dotted around so with a bit of logic first thing in the morning I made my way to the university. (As an aside, if I ever learn the name of the idiot who decided to build it on a huge hill I'll scrawl all over their portrait in black marker pen.)
I made it in time. I even managed to look human while I sat panting in the enormous lecture hall. Once the speeches kicked in on what to expect I was ready to tune in and I suppose I was relatively calm. Having thrown all my efforts into getting there I hadn't had a chance to do my usual work-myself-up-into-a-nervous-frenzy trick.
So was that the point? Was there a point? A while ago I blogged about the coincidence of meeting familiar people in unfamiliar locations. The more I think about it the more I believe some things just are meant to be. As both a human being and a writer that's a worrying thought.
Still, I haven't grasped the point of my other adventure today. Three pharmacies didn't have my prescription, forcing me to walk about like a zombie waiting to be placed delicately back in the grave. What was the point of that one?
I just have to take comfort in the fact that days like today can provide the backdrop for a story. At least, that's what I was thinking when I began chuckling aloud on the packed tram... much to the concern of the other commuters.
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