In all honesty, I could've done with a handy recap at the beginning of the first episode of this three-part series. The first series aired in the summer of 2011 (reviewed here) and I was a bit confused about how things ended between Jackson Brodie (Jason Issacs) and police officer Louise Monroe (Amanda Abbington) and it took me quite a while to reacclimatise to their relationship. Instead of three two-hour arcs, this series had three hour-and-a-half episodes. I still can't decide whether this was a good decision or not - occasionally things felt a little packed but, yes, there was still enough brooding shots of Brodie so it probably worked out.
The three individual episodes worked individually and continuity was usually good (though what happened to the dog?!). It'll be no surprise to readers of this blog that my favourite episode turned out to be the first one, guest starring Victoria Wood as an ex-police officer who basically abducts a girl whose mother treats her like rubbish. It's a typical Brodie scenario - he knows that doing the legal thing is not necessarily doing the right thing.
The second episode focuses on Brodie's investigation into a man whose fiancé believes is acting strangely and leads accidentally to a murder investigation. Brodie's daughter, Marlee, also comes to live with him for a little bit, adding a new dimension to both the case he's undertaken and his complex relationships with women.
Finally, the third episode focuses on Brodie's investigation on behalf of the son of a woman who was dragged from the river years ago along with his return to a despised business associate who calls in a favour to find his daughter. The two cases, along with the complexities of his personal life, occasionally made this one a little disjointed and the ending certainly came too soon.
Overall, I enjoyed this series immensely. Good use of the Edinburgh landscape and it wasn't all as grim as the nature of his cases suggests - just watch him trying to deliver a baby. I do wonder, however, where they're planning on going next with Jackson and Louise - while I realise it's impossible for Brodie to be given a happy ending, I think that where they are now closes doors rather than opens them. If another series is made I'll be interested to see how that develops. And, yes, I want another series. Jackson Brodie is the latest in a long line of flawed heroes with inner demons and is arguably one of the best.
Showing posts with label case histories. Show all posts
Showing posts with label case histories. Show all posts
Friday, 7 June 2013
Monday, 27 June 2011
Television Review: Case Histories
When I first noticed the Kate Atkinson books were being adapted for television I was quite happy. Jackson Brodie is a hero for modern times, complete with the result that he's never quite on top even when he wins. Although I've only read one of these three novels (When Will There Be Good News? which was the basis for the third of the two-episode arcs) I still had high hopes. And, yes, I was proved right. I really enjoyed the three weeks.
Cutting the three novels into two-hour arcs was a good decision. Usually there was enough going on to hold audience interest, although I did hear some frustrated rumblings on Twitter about the repetition of Brodie's childhood flashbacks. It seemed like padding at times but I suppose from the producer's point of view they were necessary to give context to whatever was going on at the time. The story is never just 'the criminal story': it's how Brodie relates to it. I'm aware that they've altered things a fair bit from the books (regarding aspects of his personal life anyway) but I'm not certain how much liberty they've taken. I'll have to read the first two books to be sure. Either way, it worked as a bit of television which was the important thing.
The first two episodes, based on Case Histories itself, were a decent introduction held together by a stellar cast. Although linking several cases together works more simply in a book I don't think it translated onto screen all that badly. Admittedly, the first few minutes of episode two were a crash course of remembrance but once I grounded myself again I was fine. Most importantly, I think, the episodes were enjoyable, maybe a little predictable in parts, but good viewing nonetheless. Jason Isaacs managed to instill a fairly mute character with pain and recognisable emotion. One of the criticisms I read was that Brodie was difficult to comprehend and the reviewer wished for a voice-over. I certainly don't think that would've worked in the context and it didn't need to: Isaacs communicated well enough for me.
Episodes three and four - One Good Turn - were possibly my favourite, just because of the friendship that springs up between a middle-aged woman and a Russian dominatrix. Again, the episode was helped by an exceptional cast, although it dragged in certain places. One of the cast highlights was certainly Millie Innes as Brodie's young daughter. The relationship between father and daughter is one of the mainstays of the six episodes and it definitely worked to make the tough guy a little more vulnerable. The novelist in this episode, Martin Canning, was the kind of bumbling nervous character I can't help but love.
Episodes five and six - When Will There Be Good News? - showcased the acting talents of young Gwyneth Keyworth as Reggie, the girl who saves Brodie's life after he's involved in a train accident. She's definitely one to watch out for the in the future and helped make these episodes my favourite. That probably has something to do with me having read the book for it also. However, it felt as if it ran a little more smoothly, in comparison to the other two arcs. I think it had less going on and so didn't confuse as much. Plus, it also signalled a shift in attitudes between Brodie and his ex-colleague, Louise, who worked fantastically together on screen. I was also crying at the end of episode six, which probably means the acting and script did its job correctly.
Overall, this was a television treat as far as I'm concerned. The Edinburgh setting was used to great effect and the personal was mixed nicely into Brodie's professional life. The number of injuries he ended up with were unbelieveable though and the slightly graphic violence suited the occasion, if making a squeamish person like myself a little uncomfortable. Jackson Brodie emerged from it all as an excellent character, not anywhere near as wooden as I'd expected him to be. If I have one more criticism it must go to the BBC for their Sunday night/Monday night scheduling. It's just a way to drag in ratings and, yes, it means the story is fresh in mind without festering for a week, but it's frustrating to assume that the people who watch television on a Sunday are equipped to do so on a Monday as well. I don't know what the ratings were but I'd imagine this dual-night aspect put some people off. Not me...I taped to watch later.
Cutting the three novels into two-hour arcs was a good decision. Usually there was enough going on to hold audience interest, although I did hear some frustrated rumblings on Twitter about the repetition of Brodie's childhood flashbacks. It seemed like padding at times but I suppose from the producer's point of view they were necessary to give context to whatever was going on at the time. The story is never just 'the criminal story': it's how Brodie relates to it. I'm aware that they've altered things a fair bit from the books (regarding aspects of his personal life anyway) but I'm not certain how much liberty they've taken. I'll have to read the first two books to be sure. Either way, it worked as a bit of television which was the important thing.
The first two episodes, based on Case Histories itself, were a decent introduction held together by a stellar cast. Although linking several cases together works more simply in a book I don't think it translated onto screen all that badly. Admittedly, the first few minutes of episode two were a crash course of remembrance but once I grounded myself again I was fine. Most importantly, I think, the episodes were enjoyable, maybe a little predictable in parts, but good viewing nonetheless. Jason Isaacs managed to instill a fairly mute character with pain and recognisable emotion. One of the criticisms I read was that Brodie was difficult to comprehend and the reviewer wished for a voice-over. I certainly don't think that would've worked in the context and it didn't need to: Isaacs communicated well enough for me.
Episodes three and four - One Good Turn - were possibly my favourite, just because of the friendship that springs up between a middle-aged woman and a Russian dominatrix. Again, the episode was helped by an exceptional cast, although it dragged in certain places. One of the cast highlights was certainly Millie Innes as Brodie's young daughter. The relationship between father and daughter is one of the mainstays of the six episodes and it definitely worked to make the tough guy a little more vulnerable. The novelist in this episode, Martin Canning, was the kind of bumbling nervous character I can't help but love.
Episodes five and six - When Will There Be Good News? - showcased the acting talents of young Gwyneth Keyworth as Reggie, the girl who saves Brodie's life after he's involved in a train accident. She's definitely one to watch out for the in the future and helped make these episodes my favourite. That probably has something to do with me having read the book for it also. However, it felt as if it ran a little more smoothly, in comparison to the other two arcs. I think it had less going on and so didn't confuse as much. Plus, it also signalled a shift in attitudes between Brodie and his ex-colleague, Louise, who worked fantastically together on screen. I was also crying at the end of episode six, which probably means the acting and script did its job correctly.
Overall, this was a television treat as far as I'm concerned. The Edinburgh setting was used to great effect and the personal was mixed nicely into Brodie's professional life. The number of injuries he ended up with were unbelieveable though and the slightly graphic violence suited the occasion, if making a squeamish person like myself a little uncomfortable. Jackson Brodie emerged from it all as an excellent character, not anywhere near as wooden as I'd expected him to be. If I have one more criticism it must go to the BBC for their Sunday night/Monday night scheduling. It's just a way to drag in ratings and, yes, it means the story is fresh in mind without festering for a week, but it's frustrating to assume that the people who watch television on a Sunday are equipped to do so on a Monday as well. I don't know what the ratings were but I'd imagine this dual-night aspect put some people off. Not me...I taped to watch later.
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