The Lady Vanishes tells the story of Iris Henderson (Margaret Lockwood) and her fellow bunch of travellers who are stranded overnight in an inn before their train gets started the next day. Before she gets on the train, Iris has an accident and is looked after by Miss Froy (May Whitty). After a nap, Iris wakes and discovers Miss Froy has vanished and none of her fellow passengers claim to remember her. Iris reluctantly enlists the help of Gilbert (Michael Redgrave) and they try to unravel the mystery of Miss Froy's disappearance. The cast includes Basil Radford and Naunton Wayne as the cricket-mad Charters and Caldicott, Paul Lukas as Dr. Hartz and Cecil Parker as Mr Todhunter.
This is the third version of this story I've now seen. I reviewed the 1979 film starring Angela Lansbury last year and, though I watched the 2013 television adaptation, I didn't review it. However, Hitchcock's interpretation of the story is delicious and outstrips the others, no question. It's atmospheric and witty without being overblown. The scenes on the train, particularly, are well-executed despite the confined space.
The cast is practically faultless. Michael Redgrave's first appearances as the irritating Gilbert in the hotel felt like a flamboyant sideshow, but once they settled into their double-act 'Sherlock Holmes and Watson' personalities on the train, the relationship between him and Iris was one of the highlights of the film. In addition, Radford and Wayne are excellent in their supporting roles and everyone down to the nun played by Catherine Lacey fulfil their parts properly.
After seeing three versions, it's very difficult to come to the story fresh but it still kept my attention for the most part, mainly due to Margaret Lockwood as the heroine. It's a completely different role to to her partnership with Redgrave in The Stars Look Down (1940, reviewed here) and, as such, demonstrates the versatility of both. Their chemistry sees the film through with able support from everybody else.